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Black Planet

United States United States Format 128kbps • MP3
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Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the…

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Country Country United States United States
Language Language English
Stream status Stream status Ok
Homepage Homepage stream.laut.fm
Station name Station name
Black Planet
Description Description
Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album".
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Station ID 30382
Region United States, Arizona
Website stream.laut.fm
Stream health Stream health 7 details

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Last check 1 day ago
Stream host stream.laut.fm
Final host promofabrikamerica.stream.laut.fm
HTTP status 200
Content type audio/mpeg
Server software lautcast/2.8.9
Latency 1026 ms
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Current stream format MP3

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stream.laut.fm

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en.wikipedia.org

Wikidata QID

Q996926

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About station About Black Planet

Fear of a Black Planet is the third studio album by American hip hop group Public Enemy. It was released on April 10, 1990, by Def Jam Recordings and Columbia Records, and produced by the group's production team The Bomb Squad, who expanded on the sample-layered sound of Public Enemy's previous album, It Takes a Nation of Millions to Hold Us Back (1988).

Having fulfilled their initial creative ambitions with that album, the group aspired to create what lead rapper Chuck D called "a deep, complex album". Their songwriting was partly inspired by the controversy surrounding member Professor Griff's antisemitic public comments and his consequent dismissal from the group, amidst the mainstream success of their radically political single "Fight the Power" (1989). Reflecting its confrontational tone, Fear of a Black Planet features elaborate sound collages that incorporate varying rhythms, numerous samples, media sound bites, and eccentric loops. Recorded during the golden age of hip hop, its assemblage of reconfigured and recontextualized aural sources took advantage of creative freedom that existed before the emergence of a sample clearance system in the music industry. Thematically, Fear of a Black Planet explores organization and empowerment within the black community, social issues affecting African Americans, and race relations at the time. Its critiques of institutional racism, white supremacy, and the power elite were partly inspired by Dr. Frances Cress Welsing's views on color. A commercial and critical hit, Fear of a Black Planet sold two million copies in the United States and received rave reviews from critics, many of whom named it one of the year's best albums. Its success contributed significantly to the popularity of Afrocentric and political subject matter in hip hop and the genre's mainstream emergence at the time. Since then, it has been viewed as one of hip hop's greatest and most important records, as well as being musically and culturally significant. In 2004, the Library of Congress added it to the National Recording Registry. In 2020, Fear of a Black Planet was ranked number 176 on Rolling Stone's list of the 500 greatest albums of all time.

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